11-06-2007
Untitled for three bass clarinets by Hiram Navarrete
From the composoer:
“My [untitled] compositions started as a series of solos for different instruments that focused on the use of a single idea or sound. I was interested in this because I wanted to have a set of compositions that I could easily juxtapose in different performing situations. All of these pieces are characterized by a sense of emptiness that allows them to work in this context. The second and foremost idea surrounding the composition of these pieces is the intention of writing pieces that could be endlessly looped, as if they were part of a sound installation. They are structured in way that is flexible enough to allow them to function in both the context of a sound installation or a performance.
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10-12-2007
Kalle by Carl Testa
This is a short Electronic/Ambient improvisation that was recorded live using SuperCollider by Kalle (Carl Testa). The piece uses sine tones, NES Noise tones, and granular manipulation of printers, scanners, and heaters. Thanks to Fredrik Olofsson for the NES/Atari UGens.
Posted by david in Ambient, Electronic, Podcasts | No Comments »
07-24-2007
Generative Music 3
A drift… fourteen minutes of pure automated strangeness. Our latest investigation as to who creates these pieces is leading us to Paris, France Ca. early 21st century…
More to come as we uncover the ultimate truth.
This is a long 14 minutes spacy drift. With thorns.
Posted by db in Electronic, Experimental, Podcasts | No Comments »
03-29-2007
#12 Columbo (2007) by Celeste Hutchins
#12 Columbo (2007) by Celeste Hutchins
Created by Celeste Hutchins. Titled and commissioned by Jascha Narveson.
Hutchins made this with my synthesizer, running pulsewaves through a
logic gate and then through a low pass filter. Zie says zie’s not
quite sure what a logic gate useful for in a synthesizer, but it does
make very square attacks, which can be interesting.
This is the 7th in a series of 40 short commissioned pieces. This
commissioning project is intended to be a proof of concept of musical
economic viability in the post copyright era. If you are intersted in
commissioning a piece, please see
http://myworld.ebay.com/celestehutchins , or for the manifesto, see
http://celesteh.blogspot.com/2007/03/ebay.html
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12-04-2006
Generative Music 2 of …
Generative 1 (still anonymous, but our research continues)
The secondt installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few milliseconds and eternity. This is a friendly 7 minutes and 26 seconds selection
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09-28-2006
Generative Music - 1
A first installment of a series of pieces “parameterized” by a human and realized by a machine (in this case a 2003 apple computer). The duration of these pieces typically span between a few millisecons and eternity. This is a friendly 5 minutes and 47 seconds selection
Posted by db in Electronic, Experimental, Podcasts | No Comments »
02-01-2006
Four Cases: open, closed by Jonathan Chen
Four Cases: open, closed by Jonathan Chen
Performed by the Flux String Quartet.
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01-14-2006
The Presage by David Jensenius
The Presage by David Jensenius
The Presage and Three Pages are a collaboration with Walter Frank. We each used the same graphical notation logics to create graphical scores. I interpreted them on the computer and Walter interpreted them on the piano. The enclosed file is “The Presage”, my score interpreted on the computer.
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01-12-2006
Track 4 by Tom Crean
Track 4 by Tom Crean
From the CD 4 Maps of Infinite Possibilities.
Entire CD available here.
Tom Crean’s homepage.
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10-11-2005
Virtual Memory Excerpt by Celeste Hutchins
Virtual Memory Excerpt by Celeste Hutchins
Composed in 2001 using Macintosh Virtual Memory with an AIFF header added, a Jomox AirBase drum machine and a Midiverb.
Posted by david in Electronic, Experimental, Podcasts | No Comments »